I was depressed the other day. The kind of feeling where basically everything seems like shit and you don’t have any clue why you still live in China and, as a consequence, you are hateful toward everything. This is nothing to be alarmed about. It happens from time to time. When I fall into this state of mind, I know it is time to go back to basics and put some effort into remembering the good parts of being a foreigner here. In this case, that led me back to Edward A. Burger.
December 13, 2017 marks the 80th anniversary of the Nanjing Massacre. Not much noise about it so far, not even appreciable uptick in Baidu search, but that should change now that the Party Congress is over. At least there will be buzz surrounding the re-opening of the Nanjing Massacre Memorial Museum which has been closed the last four months for “renovations”.
I reckon by now pretty much everyone is familiar with the facts. Over the course of six weeks the Central China Area Branch Army of the Imperial Japanese Army sacked Nanjing, killing 40,000-300,000 Chinese civilians and perpetrating 20,000-80,000 rapes, depending on whom you talk to. Babies were bayoneted. Old people were slaughtered. It was a bad time, a grim time, a low point in a century not short of low points.
For shocking survivor stories check out this website. If that’s not enough, then watch Lu Chuan’s 2009 film Nanjing: City of Life and Death (it’s on Youtube). It’s fictionalised, but punches you in the gut. There’s a scene where, score by score, Chinese men, hands bound, are herded into a corral and machine gunned into oblivion. In another scene a little girl is tossed out of the window while her father watches. In another a woman is raped until she becomes a raving lunatic. It’s horrible, horrible stuff.
Despite all this, the Nanjing Massacre remains controversial. It’s not so much the facts that are in question – mainstream Japanese historians don’t dispute them – it’s their representation, or lack of, that causes the problems.
Recently I’ve been thinking about Macbeth. Mainly because back in March I went to see Sleep No More, a new play here in Shanghai, and I read somewhere that it was loosely based on Macbeth. Having seen it I can tell you that I don’t see much connection at all. But at least it got me back to Macbeth, which I consider to be one of Shakespeare’s most important plays and possibly his most puzzling.
Here’s my book! Okay it’s really a novella – a love story set against the backdrop of the Shanghai metro. I’ve already moved about 50 copies and the response has been satisfactory so far. It’s illustrated by photos from Tom Carter, photographer behind one of the my favorite China photo books, China: Portrait of a People. You won’t find any foreigners in this book, just Chinese people. And I wager you won’t look at the subway the same way again.
I’m selling copies for RMB100 – which is just enough to cover production costs – plus shipping if you need it shipped. There’s no e-version of this one. Each comes numbered and signed. Support your local arts!
Email me at email@example.com or you can message me through my Wechat OA – ConfuciusSez.
Uncanny silence has surrounded Scott Savitt’s memoir since it was published in November last year. Though National Geographic and Vice both recommended it, there was no New York Times review, no big book tour, no NPR interview, no Literary Festival headlining slot. The local expat rags didn’t even pick it up which is surprising considering Savitt was for many years a well respected foreign correspondent and afterwards basically started what we now know as expat media in China. Why the lack of attention?
It’s surprising no one has ever titled a book “Sexpat.” Certainly this book has been lived many times all around the world, especially in China. Plus it’s a much better title than Shanghai Cocktales, the recently published memoir which was reviewed–and slammed–this past week on Beijing Cream. It reminded me of that simmering desultory debate about writing about sex in China.
2015 marked the 6th INTRO electronic music festival and this year was easily the worst of the bunch–a big step back. It wasn’t so much a music festival as an excuse for selfies. It left me wet and puzzled and wondering where has China’s most important EDM festival actually gone in the last 7 years? Let’s hit the rewind button.
Saw a couple of Mainland Chinese films recently: Gone with the Bullets, Taking of Tiger Mountain and Wolf Totem. Gone with the Bullets and Tiger Mountain I simply couldn’t finish–or even get into. Both were poor. Wolf Totem was different. It’s a good film, not great, but salvages hope at least that mainstream Mainland film isn’t entirely dead. I’ll talk about all three below.
In Chinese film circles these days a script is going around: a sequel to Farewell My Concubine, I kid you not. I heard about it from someone who heard about it from Chris Berry who had seen the script. I haven’t layed hands on it yet, but after some poking around I came across a one page synopsis which I re-publish below.
There are a lot of restaurants in Beijing and Shanghai, including a few very good ones. But recently I’ve concluded that your average restaurant-on-the-street in China frankly isn’t that good. This was driven home after I moved to Jinqiao (Pudong) and found that all the local eateries on my street a) pretty much serve all the same stuff and b) none of it sparks my appetite. So, I’m going out on a limb here and saying something I know a lot of people are thinking–Chinese food is overrated.